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29.03.2020, 05:05



Kontrollzentrum
Profil von: piotr_grden Alle Bilder von piotr_grden anzeigen
Vorname: Piotr
Name: Grden
Emailadresse: grden at poczta.onet.pl
Homepage: http://www.republika.pl/grden
Land: Poland
Registriert seit: 11.07.2003
Zuletzt aktiv: 11.10.2003 11:35
Kommentare 0


Vita:
Born in 1971

Important one-man exhibitions

1998-Pro Arte Pax-Elbląg
1998-Volt Cafe - Elbląg
1999-Centrum Sztuki Galeria EL - Elbląg
2000-Galeria Studnia - Elbląg

Important group exhibitions

1997-XIX Salon Elbląski - Galeria EL
1998-Rathaus - Syke(D)
1999-XX Salon Elbląski - Galeria EL
1999-Verknupfungen - Gelsenkirchen(D)
2000-Atelie Rita Thies - Gelsenkirchen(D)
2000-Kongres Kultury Warmii i Mazur - Olsztyn
2001-II Olsztyńskie Biennale Plastyki - Olsztyn
2002-BWA Częstochowa
2002-Niemcy Polska – Galeria78(Gdynia)
2002-XXI Salon Elbląski – Galeria EL
2003-IKAR Video Installation With Five Monitors

Awards

President of City Elbląg Award in 2000 year.

Grdeń’s pictures are for him a battlefield, he was concerned with the very process of creation, act of creating and not with the final - often for him unforeseen effect. Grdeń’s painting fluctuates a two of key points: matter and accident. Accident becomes in this painting so to say: painter’s „partner” in act of creation. Its interference puts under the question mark in each instance shuting or ending a picture. It leads to unexpected tensions and makes it impossible to complete the work. Grdeń despised the perfection of polished, considered compositions. Painter seems to be consciously in operating the paint, he skillfully handles the blotches of colours, layers gestures he with value’s areas of silence. Elements of picture are not connect with reality, they often fill up the picture completly, thanks to which the picture becomes dynamic. Grdeń has not compliance with stricte painters lines such as a shortening of perspective, he is clearly prefering to use blotches and suggesting the third dimension by size of the figures. This device makes his painting appears flat like wall painting or graffiti. A discord is a prevailing feature of composition. Grdeń introduces dissonances not only in composition but also in colours. He similary works with the brush - its broad strokes run in all directions creating chaos while increasing the impression of spontaneity. However his works are filled with emotions - are subjected to them. Process of thickly laid paints is expression of this because it is satisfactin for painter only when a surface is so intensively saturated with pigment that it begins to „breathe” with colour. P.J.L.

Gefunden: 5 Bild(er) auf 1 Seite(n). Angezeigt: Bild 1 bis 5.
fishbone (2000) Piotr Grden
fishbone (2000) Piotr Grden
(piotr_grden)
Piotr Grden
(Top Bilder)
Kommentare 0
yello (2000) Piotr Grden
yello (2000) Piotr Grden
(piotr_grden)
Piotr Grden
(Top Bilder)
Kommentare 0
lasco (2000) Piotr Grden
lasco (2000) Piotr Grden
(piotr_grden)
Piotr Grden
(Top Bilder)
Kommentare 0
bass player (1996) Piotr Grden
bass player (1996) Piotr Grden
(piotr_grden)
Piotr Grden
(Top Bilder)
Kommentare 1
czerwony (2000) Piotr Grden
czerwony (2000) Piotr Grden
(piotr_grden)
Piotr Grden
(Top Bilder)
Kommentare 0
 



 

   

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